In case you're wondering, I thought that the lily buds on my veranda could symbolise the potential of the new year.
In case you're wondering, I thought that the lily buds on my veranda could symbolise the potential of the new year.
Goodness, I seldom go for a week without posting on my blog. Sorry about that. We have had family members here, which has been wonderful. I did make an amigarumi mouse for Annika and a tatted bookmark as a gift, but didn't take any photos. Everyone has left now, though the Australian contingent are on a nightmarish journey after a plane delay caused them to miss a connection. Now I'm busy washing sheets and getting straight and then I'll get back into crafting.
We had lovely weather for the market on Saturday and it went well. I sold some puppets, Christmas decorations and key rings, and spent my earnings at the other stalls! Oh yes, I sold a woolen hat too and had a long conversation with the man who bought it. The conversations are half the fun of the market.
My daughter has been on a shopping spree for me, she brought me all sorts of sewing notions as well as these fabrics. The polka dot material is three metres in length, I'll make a dress with that. The others are two metres long, for skirts. Watch this space, as they say.
I made five puppets yesterday morning and sold four in the afternoon! I decided that I would make the two hooded towels I want for market before I make another attempt to reach my puppet target. So here they are - unicorn and flamingo. The flamingo is from Crazy Little Projects, here. I had a pink towel handy, so a flamingo seemed appropriate.
Our electricity supply has been really erratic lately. It's on this morning, so I started early and have done the machine work on five puppets. I'll finish them off when there's no power. I prefer to finish a puppet completely before moving on to the next one, but needs must... I sold three puppets yesterday, which is great, but means I have to work a little harder to have enough puppets ready for Saturday's market.
The problem is, they're all fiddly and time consuming and not cost-effective. So I"m now using the bits as disposable cleaning cloths. That is, I clean something with them before I throw them away!
I'm working on puppets again. My stocks are low and I've booked a table at a market on the 10th December. I plan to make a couple of hooded towels too, since I have none in stock now. I like to make them to order, but it's as well to have a sample or two for people to see.
I use the top of a plastic bottle when filling jars; it has a wider mouth than any funnel I've been able to buy, and helps keep the top of the jar clean:
I finished up with five full jars and a little bit for tasting:
I've been tatting snowflakes to sell at markets. I sold 6 on Saturday and am now making for the next market. When there are so many snowflake patterns out there, it seems a bit odd to make the same one over and over, but I want to just do it, without thinking or deciding! They're much shinier than they look in the photo, so I don't think beads are necessary.
I sold seven puppets at a market on Saturday, so I need to make some more of those.
We're in the rainy season again and the market was rained off again. At this rate, they'll have to find an indoor venue. I was more disappointed about not being able to shop at some of the usual stalls than I was about not selling anything, because I have the towel order on the go. I have made progress:
Three rabbits and three dinosaurs!
It helped that all the bags are the same colour, so I could keep reusing the dyepot, adding more salt and dye and sometimes some more water.
The first batch I dyed was 'interesting'. It turned out that the fabric shrank in one direction but not the other. Luckily I had dyed from the middle of the list of sizes and was able to cut the shrunk bits down to the size for the smallest bag. After that I had to allow for the shrinkage when I cut the fabric. I also had to allow for the fact that when you turn the bag, you lose a little bit of width. So the distance between the side seams needs to be slightly more than the required width.
With this cotton dye, unlike wool dye, what you see is not what you get. When I put the fabric and cord into the bath, it looked a pale lilac colour. Eek. The temptation is to put more dye powder in. But it's not necessary, because it darkens during the dye process. And then lightens a bit from wet to dry.
I still have a lot of sewing to do, so I had better go and get on with it.
I'm working diligently on a sewing order. I'm making 90 drawstring bags for a lady who makes ornaments in copper and brass, in six different sizes, ranging from 33,5 cm by 17 cm to 7 cm by 6 cm. That sounds simple enough, but there's a catch. I've been given grey fabric and must dye it dark blue. I'm working in batches of ten. Here, for the record, is the process in pictures:
I knitted most of this sock on the return journey on the bus. I was so eager to get to the shadow wrap heel that I made the top of the sock much too short. Hmm. At home (not on the bus!) I unraveled the cast on part of the sock and then knitted upwards, like a toe-up sock. I largely avoid toe-up socks because I worry about the cast off. It needs to be loose enough to get the sock on, without being scruffy. I've used a tubular cast off. I need a bit more practice I think, but it'll have to do. Now to make the second sock match without going through the same process. I'm going to research tubular cast on.
The stitch used in these socks is called Broken Seed Stitch. It's very clever, looks much more difficult than it is: Round 1, in natural, knit; Round 2 with variegated knit one, purl one; Round 3 with natural, knit: Round 4 with variegated, purl one, knit one. It looks like a slip stitch pattern, but isn't, and I think more flexible than a slip stitch pattern. I've used it before, but had to remind myself how to do it.